![]() ![]() Various artists from the Vienna Secession contributed works: Gustav Klimt, Ferdinand Andri, Friedrich König, Emil Orlik, Koloman Moser, Joseph Maria Auchentaller – and many more besides. In the issues of 19 different techniques are used, in that of 1903 all the spreads are colored wood cuts. The designs change: here one work a month, there two, but each time each month gets a double spread. This need not be the case, as once again the Vienna Secessionists show: From 1901 to 1903 the artists’ association published in the first issue of its own journal Ver Sacrum each year a complete calendar as an issue within the issue as it were. While nowadays to this end people tend to pull out a Smartphone or maybe a Moleskine or even opt for a wall calendar with more or less tasteful reprints, calendars as products have actually ceased to play any major role. ![]() Given these facts it is far more relaxing to simply leave calculating time to others and focusing instead on organizing your own time using a finished product: the calendar. In post-Revolutionary France, for example, the Gregorian calendar was simply suspended for a good 13 years in favour of a unique French Revolutionary Calendar in which the weeks had ten rather than the usual seven days. Things are even more complicated if the calendar is to be proleptic, meaning function backwards into the past: For there were different calendar systems at different times. ![]()
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